



Videostills Courtesy Hito Steyerl, Andrew Kreps Gallery, New York, Esther Schipper, Berlin/Paris/Seoul. ©Hito Steyerl, VG Bild-Kunst, Bonn 2025
Hito Steyerl
Mechanical Kurds (2025)
Single screen video installation, color, sound; 13:00 min
Courtesy the artist and Andrew Kreps, New York. Commissioned the New Museum, New York and Jeu de Paume, Paris
Producers: Savaş Boyraz, Kovan Korki, Erratas Film
Executive producers: Savaş Boyraz, Hêja Netirk
Camera and drone pilot: Xeîry Ertuşî
Music producer: Singer and Songwriter: Hêja Netirk
Music: Emrah Oğuztürk
Additional music: Saerom Park
Sound studio: PARRY AUDIO Studio & Mobile Recording (Karola Parry)
Postproduction and 3D design: Christoph Manz, Vadim Schäffler
Unboxing: Hito Steyerl
Featuring: Rebin Karim, M.H., W.O., and others
Acknowledgments: Alice Conconi, Adela Yawitz, Annabelle Liljegren, Andrew Kreps, Esther Schipper, Esme Buden, freesound.org




Videostills Courtesy Hito Steyerl, Andrew Kreps Gallery, New York, Esther Schipper, Berlin/Paris/Seoul. ©Hito Steyerl, VG Bild-Kunst, Bonn 2025
Hito Steyerl’s video installation Mechanical Kurds consists of a single-channel HD video and spatial installation elements. The title references the "Mechanical Turk" and its dual significance. The original Mechanical Turk was an 18th-century fraudulent automaton—a chess-playing machine that appeared to operate independently, but in reality, concealed a human operator inside who controlled its movements. In the early 2000s, Amazon adopted the name for its crowdsourcing platform, which enables businesses to outsource various, often repetitive or menial tasks to an online workforce.
Hito Steyerl
Mechanical Kurds (2025)
Single screen video installation, color, sound; 13:00 min
Courtesy the artist and Andrew Kreps, New York. Commissioned the New Museum, New York and Jeu de Paume, Paris
Producers: Savaş Boyraz, Kovan Korki, Erratas Film
Executive producers: Savaş Boyraz, Hêja Netirk
Camera and drone pilot: Xeîry Ertuşî
Music producer: Singer and Songwriter: Hêja Netirk
Music: Emrah Oğuztürk
Additional music: Saerom Park
Sound studio: PARRY AUDIO Studio & Mobile Recording (Karola Parry)
Postproduction and 3D design: Christoph Manz, Vadim Schäffler
Unboxing: Hito Steyerl
Featuring: Rebin Karim, M.H., W.O., and others
Acknowledgments: Alice Conconi, Adela Yawitz, Annabelle Liljegren, Andrew Kreps, Esther Schipper, Esme Buden, freesound.org
Selected Press
Mousse Magazin - Humanity Had the Bullet Go In Through One Ear and Out Through the Other
LBBW - Hito Steyerl at the MAK
Die Zeit - Traue nichts und niemandem by Thomas Mießgang (German)
FAZ - Siri, wer hat diese Stadt zerstört? by Hannes Hintermeier (German / Paywall)
Falter - Videokünstlerin Hito Steyerl im Mak: Die Augen der Kampfdrohnen (German / Paywall)
Die Presse - Die neue Ästhetik der extremen Rechten heißt „Slop“ (German)
Hito Steyerl’s video installation Mechanical Kurds consists of a single-channel HD video and spatial installation elements. The title references the "Mechanical Turk" and its dual significance. The original Mechanical Turk was an 18th-century fraudulent automaton—a chess-playing machine that appeared to operate independently, but in reality, concealed a human operator inside who controlled its movements. In the early 2000s, Amazon adopted the name for its crowdsourcing platform, which enables businesses to outsource various, often repetitive or menial tasks to an online workforce.
Selected Press
Mousse Magazin - Humanity Had the Bullet Go In Through One Ear and Out Through the Other
LBBW - Hito Steyerl at the MAK
Die Zeit - Traue nichts und niemandem by Thomas Mießgang (German)
FAZ - Siri, wer hat diese Stadt zerstört? by Hannes Hintermeier (German / Paywall)
Falter - Videokünstlerin Hito Steyerl im Mak: Die Augen der Kampfdrohnen (German / Paywall)
Die Presse - Die neue Ästhetik der extremen Rechten heißt „Slop“ (German)